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 enlarge | Director: Mike Newell
Actors: Hugh Grant, James Fleet, Simon Callow, John Hannah, Kristin Scott Thomas
Studio: MGM (Video & DVD)
Category: DVD
List Price: $14.98
Buy New: $3.23
You Save: $11.75 (78%)
New (39) Used (19) from $2.97
Rating:  115 reviews
Sales Rank: 3050
Format: Ac-3, Color, Dolby, Dubbed, Dvd-video, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), English (Subtitled), French (Subtitled), Spanish (Subtitled), French (Dubbed), Spanish (Dubbed)
Rating: R (Restricted)
Number Of Items: 1
Running Time: 118
Aspect Ratio: 1.85:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
MPN: MGMDM113415D
UPC: 027616133670
EAN: 0027616133670
ASIN: B000CCBCAS
Theatrical Release Date: March 9, 1994
Release Date: January 31, 2006
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: ******BRAND NEW****** ** Over 1.5 million orders shipped worldwide and more than 500 000 items in stock, BUY FROM A TRUSTED SOURCE, ESTABLISHED SINCE 1998 - INETVIDEO ~~~
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| Customer Reviews:
 4 Weddings and a Funerala July 2, 2008
0 out of 1 found this review helpful
This is to replace my VHS copy. I regard this film as one of my top 10 comedies and want it on a more substantial product.
 Fine British Romantic Comedy June 19, 2008
3 out of 4 found this review helpful
Mike Newell's stylish 1994 hit, "Four Weddings and a Funeral", expertly fulfills the traditional criteria of romantic comedy, the most important one being that unlike in real life, (almost) everyone finds love with the right person - a conclusion never really in doubt, so this piece of information won't spoil anything. A fine cast that includes Kristin Scott Thomas, Simon Callow, and John Hannah lends sparkle and charm to this tale of a group of long-time friends who, one by one, are crossing from carefree, single blessedness into the marital state. Except for one: Charles (Hugh Grant), who just can't seem to get himself over that line, despite successive relationships with attractive women who all want to hook him.
Charles and his friends apparently occupy some blissful realm where little matters such as jobs and careers don't seem to exist. Two (Phoebe and her brother Tom) are obviously wealthy aristocrats, but it's a mystery how the others support themselves as they float around, showing up at one wedding after another and co-mingling at receptions with a clearly upper-class crowd in which all the women wear large expensive hats. All the same guests appear to show up at all the weddings.
I'm not a great fan of Hugh Grant, whose lip-biting, stammering, hair-pushing mannerisms drive me up the wall. However, the role of the emotionally infantile and graceless Charles suits Grant almost too well, so it's hard to complain. As the film opens, Charles and his elfin roommate, Scarlett (a wonderfully eccentric portrayal by the unfortunately deceased Charlotte Coleman), are off to the film's first wedding, where Charles, as usual, is the perennial Best Man. Already troubled by his inability to commit, at the reception Charles meets a pretty American, Carrie, played by the mind-bogglingly talentless Andie MacDowell, whose casting is the only major flaw in this film. MacDowell could give Tippi Hedren a run for the "Least Talented Actress Ever To Have A Career In Films" award, and for the same reason: a hopelessly flat persona, voice, and delivery. This defect is particularly glaring amongst this group of fine British actors. MacDowell's flat delivery, devoid of nuance, imagination, color, or shading of any kind, turns her lines into the dramatic equivalent of Wonder Bread. It's a shame someone on the level of the rest of the cast couldn't be found for this role.
At any rate, although Charles doesn't figure it out for some time (although, of course, the audience does), Carrie is the Thunderbolt that has finally hit him. For the rest of the film, we wait for Charles to acknowledge what everyone around him sees clearly, and, as we wait, we are treated to three more weddings and that funeral. The second wedding contains a priceless turn by Britain's famed comedian, Rowan Atkinson, as a priest nervously performing his first marriage, and mangling the language of the wedding service as he does so.
The movie is also notable for including a happy gay couple (John Hannah and Simon Callow), without qualification or discussion. Callow, one of Britain's most distinguished stage and screen actors, gets to chew up the scenery a bit, while sharp-eyed devotees of BBC's "Wire in the Blood" and "MI-5" series's may spot a young Nicola Walker, later one of the lead detectives in "Wire" and an operative on "MI-5", as one of the maddening folk singers ("Can't live/without yuuuuuuuuu. . .") at the second wedding.
The outcome of the story is never really in doubt; as is often said, it's the journey, not the arrival, that counts. In this case, it's the wit and stylish performances (with the exception of MacDowell) that make this journey enjoyable - not to mention critiquing those varied wedding dresses, church settings, flower arrangements, etc. The traditions of romantic comedy make it easy to ignore such minor questions as, "When do these people work? What do they DO?!".
Nothing if not charming, "Four Weddings and a Funeral" goes down easy and raises many smiles.
Coincidence? June 15, 2008
0 out of 1 found this review helpful
This is an amusing movie. I ordered it as a gift for a friend who
is a fan of Hugh Grant. I had seen the movie years before and thought it
was the kind of romantic comedy she would like.
Deluxe Edition of a Well-Loved Movie Worth Having March 18, 2008
9 out of 9 found this review helpful
"Four Weddings and a Funeral," (1994) a British romantic comedy/drama, caused something of a sensation upon its release. It broke all records for worldwide box-office take by a British picture: and not very many British pictures since have done as well. It was received rapturously by many important critics, and was nominated for a "Best Picture" Academy Award. It boosted the careers of its director, Mike Newell, and most of its talented cast members. It also made its star, Hugh Grant, flavor of the decade - and counting -- as leading man of any English-speaking romantic comedy. It put its author, Richard Curtis, at the head of what has since become an English cottage industry, the creation of romantic Brit-coms (see "Notting Hill,""Love Actually,"etc.) Yet, when it was made, the budget was so tight that those glorious Scottish wedding scenes were all filmed in Hampshire, a Home County near London. And the numerous wedding scene extras were required to wear their own evening dress.
Most everyone knows the plot, but here goes. Charles (Grant) is one of a group of young friends looking unsuccessfully, it seems, for love. Charles is commitment-phobic; yet he, his roommate, Scarlett (Charlotte Coleman), and the crowd seem to spend every Saturday going, late, to weddings, where they are frequently members of the wedding parties. Disastrous best man speeches are made, rings are forgotten. Then Charles spots the beautiful American Carrie (Andie MacDowell) at a wedding, and much yearning ensues. Carrie announces her engagement to, and marries, a rich, older Scot, Hamish (Corin Redgrave). But, of course, true love triumphs and triumphs and triumphs. There are viewers that consider MacDowell's performance too passive, but everyone agrees Grant created the perfect romantic English lead, shy, stuttering, hair in his eyes. Coleman, who unfortunately died much too young, in an asthma attack, made Scarlett touching and real. Redgrave, well, of course.
The supporting cast was also uniformly excellent, and funny. Rowan Atkinson is hilarious in a small part as Father Gerald, priest in training. James Fleet does good work as Tom, the crowd's millionaire. Kristin Scott Thomas is beautiful, beautifully-dressed, witty, touching and intelligent as Tom's sister Fiona, who's unfortunate enough to love Charles. Theater stalwart Simon Callow shines as the gay Gareth; and, as for John Hannah, playing his lover Matthew; well, it's all been said, hasn't it. Though I'd add that I never yet have re watched this movie -- did so again last night--without being reduced to tears by his reading of WH Auden's "Funeral Blues" poem at Gareth's untimely funeral.
If you love the movie, the Deluxe Edition is useful. Its extras are very helpful: Audio Commentary with filmmakers, "Wedding Planners" Documentary, "Two Actors and a Director" featurette, and the featurette on the making of the film. The deleted scenes are uniformly funny, too, and give us a bit more back-story of the characters, which the movie doesn't give us a lot of.
LOVE this story! March 8, 2008
2 out of 2 found this review helpful
Guess what hooked me onto this movie more than 10 years after it came out? Elton John's version of But Not For Me. I saw it on TV, bought the CD and followed it up with the DVD. Loaded the cd onto the ipod...heaven! A belated thank you to all the actors and artists that put this gem together. Sir Elton, how about a standards album, including But Not For Me? I predict a smash hit...
Patsy B
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