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 enlarge | Artist: Portishead
Label: London / UMGD
Category: Music
List Price: $13.98
Buy Used: $2.99
You Save: $10.99 (79%)
New (58) Used (49) Collectible (2) from $2.99
Rating:  146 reviews
Sales Rank: 2528
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.7 x 0.4
MPN: 539189
UPC: 731453918924
EAN: 0731453918924
ASIN: B000003TSP
Release Date: September 30, 1997
Availability: Usually ships in 1-2 business days
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| Customer Reviews:
 In my opinion, better than Dummy. April 25, 2007
For the sole reason that this album far transcends the poppy undertones of Dummy, I give it a 5/5.
That being said, I'd still like to give a track-by-track review of this product.
SHORTEST TRACK: Half Day Closing (also one of the best)
LONGEST TRACK: Humming (another favorite of mine)
Cowboys: You can't help but feel the eerie opening to this album pulsate in your mind as the first kick drum hits grace your eardrums. Beth sings in a screeching tone of voice, almost scornful, giving this song an intensity unmatched by previous songs. My only gripe is that it loses its bass after those initial drumstrikes. 9/10
All Mine: An enjoyably simple bump, its lyrics are hard-hitting and possessive (Tethered and tied/there's nowhere to hide from me). 9/10
Undenied: Starts with a moody 55-second instrumental (I love it!), then Beth's lyrics come in as a contrast to the last song (this one is about losing love rather than keeping love close). 10/10
Half Day Closing: The confusing beat and heavy distortion on the instruments and lyrics (at one point, Beth's voice sounds like a distorted guitar!) make this one quite dark and heavy. The lyrics are about the changing times, and how innocence has been lost. 10/10
Over: Starts off with a creepy acoustic guitar, then builds into a strange ballad with heavy drums that burst with string hits. The lyrics match the atmosphere; they are equally creepy. 9/10
Humming: My favorite on the album (and luckily, the longest!) It starts off with a cliché UFO-style humming (hence the title) accompanied by what sounds like reversed strings, then the beat blasts in at 1:30 with lyrics that seem to be about sex. 10.5/10!
Mourning Air: Soft and sad, this song is about holding on tight to love, at risk of slipping into depression. A pretty amazing track. 9.5/10
Seven Months: I don't like this one as much as the others, but it still packs a punch. The scornful lyrics accompany its beat well. 9/10
Only You: The most credited samples lie in this track, but are not too noticeable, as samples are in other tracks. The lyrics are stunning, and Beth sings them with passion. 10/10
Elysium: The name of the track means "paradise," but the lyrics are about hate and self-hate, which makes for another one of those title-lyric contrasts that can make or break an album. This one makes it! 9.5/10
Western Eyes: This song is the most friendly on the album, but certainly still darker than those on Dummy. The sample at the end goes well with the beat, but it should have been placed elsewhere in the song, IMO. 10/10
Final verdict: 10/10
I love this album, and it arrived at my house promptly and in excellent condition. Thank you!
 I had higher expectations April 25, 2007
0 out of 5 found this review helpful
I had seen two music videos for this CD and thought it was going to be great. After listening to all the tracks, I only liked maybe three. I am a heavy trip-hop and acid jazz fan, but this was just psychidelic junk. It was like a whiny, down-beat version of aphex twin. I guess, if thats your thing... buy it NOW!
 very impressive sophomore release March 22, 2007
Portishead's second release comes as a surprise. my first listen to it i felt rather disappointed. beth gibbons' voice was distorted almost the whole time and a much more twisted use of sampling and scratching going on. during my initial listen i was running short on time and could only sample bits of the songs. i guess that is why my disappointment came through. "Dummy" is very much a singles based album that can fulfill the effect it desires through quick listenings. i still love the album and don't take that comment to be anything other than that. this second album is a collection of songs, it is meant to be listened to straight through. each song flows directly into another and gives a seamless tapestry and progression of the trip-hop sound. of course Barrow and crew give us a sampling of singles like "All Mine", "Humming" and "Only You", but seeing where these tracks fit in with the album makes these tunes seem all the more significant. after my first couple of listens (obviously with headphones on) i now "experience" this album rather than listen to it. when recommending portishead i still have to give the nod to "Dummy", but any avid fan of trip-hop needs to have this album in their collection. it makes you want more, but when.....
extremely disappointing at first, now addicted August 15, 2006
1 out of 6 found this review helpful
It was like listening to the very few parts of Dummy I didn't like for an entire CD. Way too much gratuitous scratching, and screechy vocals for may taste. Extremely disappointing.
It's now perhaps six months after I wrote the paragraph above and I am completely addicted to this album. Cinematic trip goth at its very very best
I feel so cold... April 12, 2006
10 out of 10 found this review helpful
There's nothing like Portishead and nothing like their 2nd album. Its darker, creepier, and more haunting than the first. The entire album has an overal similar sound which makes for a more themed and theatrical sonic experience. I like this better than the first album which had the obvious singles and dabblings in various spectrums of trip-hop which now resembles everyone from tricky to morcheeba. However on this 2nd release, Portishead holds their own, establishing their own trademarked sound: an eerie, slow-paced death-orchestra led by a sultry singer with a heart of black-gold. This music will get into your brain and eat away like bad acid. Exquisite production and smart use of turntables. From the intro of eerie high pitched twinklings over a heartbeat that lead into twangy strums of electric guitar and record scratching, to the last song which ends with the sampled vocals of an old bluesman pining about hookers and gin, this is a masterpiece recording. Goes well with a late-night martini and captures the dreary mood of a cool, misty morning in Autumn just after it has rained and the fog is still hanging in the air...
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