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Third

Third

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Artist: Portishead
Label: Mercury
Category: Music

List Price: $13.98
Buy New: $6.39
You Save: $7.59 (54%)



New (52) Used (22) from $5.99

Rating: 4.0 out of 5 stars 166 reviews
Sales Rank: 305

Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5

MPN: 001114102
UPC: 602517664005
EAN: 0602517664005
ASIN: B0016HNOXQ

Release Date: April 29, 2008
Availability: Usually ships in 1-2 business days

Customer Reviews:
Showing reviews 21-25 of 166
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1 out of 5 stars Not worth the wait.   July 28, 2008
 8 out of 13 found this review helpful

Like everybody else who was part of the generation blown away by Portishead's "Dummy" it's been a down-hill slide from the get go. I think positive reviews for this album are from hipsters or fans who will defend even the worst of a once loved band. Well the love is gone.

One thing I read again and again in "professional" reviews and little reviews like these on Amazon is that Portishead were unhappy with how their sound was copied and that they watned to "distance" themselves from the first album. Funny, I don't think any band was ever able to do what Portishead did. You can't tell me that albums from Lamb, Morcheeba and Hooverphonic sound like "Dummy". I think it's just an excuse for not being able to recreate the magic of the first album.

To be honest I find it hard to listen to just about anything that's come out in the last few years. Alternative music or whatever you want to call it is so focused on this hipster, White Stripes, indier than though trip that people forgot how to write a good song. Save yourself the money, put in your copy of "Dummy" that you have since you are reading this review and remember that Portishead stopped making music a long time ago.



5 out of 5 stars Stick with it, kids..   July 25, 2008
 1 out of 1 found this review helpful

Okay, I pre-ordered this one and was going to review it almost instantly... I'm so very glad I didn't. At first, with the (Portugese?) opening and off-center bass, you realize that there's no way this is going to sound like their previous stuff (in ways both good and potentially bad), but go with it - the more attention you give it, the more you can hear. The way certain songs don't seem to flow into the next one seems to be offset by the way other songs do - almost like a suite of sorts later in the album that seems almost perfectly suited for (no idea if I can say this on Amazon or not, but I'm copying this and re-pasting it just in case I get censored) as music for taking "medicine" to.

Paying attention to the sounds pays off - I swear to (insert deity of choice here) that the first round of percussion on "Machine Gun" sounds in a way softer than the rest of it, on "Small", half of the keyboard (if that's what it is) strokes sound deliberately fudged, "The Rip" is, hands down, one of the most, if not the most beautiful song that they've ever done (I'd press "repeat" 2 or 3 times each time I played the CD when I first got it, and seems, as well, almost tailor-made for a KCRW late morning playlist) and, going back to "Machine Gun", the sounds at the end are bugging me because I can't figure out what obscure late 70's/early 80's movie they remind me of... but in a good way - like there was this movie that I wrote off because I couldn't quite grasp all of the themes at the time I saw it.

I guess that's probably the best analogy for the album in general as well - don't dismiss it and it will grow on you like most albums you end up never wanting to live without.

But then, since both of my boom-generation parents like Portishead, it might be genetic as well.



5 out of 5 stars Great Album!   July 25, 2008
 1 out of 1 found this review helpful

only one thing to say remember to play this album as a 45 not a 33 sounds silly but thats how they set it up...


5 out of 5 stars Converting the Unconverted   July 23, 2008
 1 out of 1 found this review helpful

This is a genuinely avant-garde album, with all kinds of unexpected twists and turns. It is not tuneful the way of trip hop--this album is more "out there."

I didn't like their earlier records all that much, they didn't seem to do "tuneful" trip hop as well as, say, Morcheeba, and the odd touches they threw in struck me as relatively tame.

Very little about this records is tame. I wouldn't recommend this one for everyone, but if your musical tastes are edgy, this is definitely worth checking out.



4 out of 5 stars A nice and refreshing listen.   July 21, 2008
 2 out of 2 found this review helpful

2008 could not have possibly been a better time for me to hear a new Portishead album. My fandom is probably bigger than it's ever been before and the fact that it does not repeat the classic formula via crowd pleasing makes it all the more engaging a listen. And the album doesn't even sound that un-Portishead in the first place. It's possibly not the strongest album they've released yet but there's plenty of quality material to be found here.

And it's not like the songs themselves sound individually the same either. You get "We Carry On," possibly their most dancefloor ready song ever. And then it follows right up with the lo-fi field recording sound of "Deep Water" and the fantastic drum-machine centered "Machine Gun," which fits the violent theme of the lyrics just perfectly. It's one of their greatest songs and total brilliance. Also, some of these songs end where they seem like they wouldn't or shouldn't. You expect Gibbons to sing more on "Nylon Smile" or the music to continue on "Silence" at first instead of their abrupt endings.

This record is something truly creative and worth investing in if you have any taste for the group. I mean, 11 years really has paid off here! Sure I'd like those traditional trip-hop songs but I think in the end that "Third" is more rewarding than that ever could have been.


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